These are pictures of Willy Brandt, Helmut Schmidt, Helmut Kohl, Gerhard Schröder,
Angela Merkel and the challengers Rudolf Scharping, Oskar Lafontaine, Johannes Rau and Edmund Stoiber. In this context, media scientist Norbert Bolz once referred to the "great quit picture" as a refuge of serenity and concentration in the unending stream of visual data. The classic photograph, in other words, has strength in its weakness. It allows contemplation. An in-depth visual analysis. While television provides distraction with movement, noises and music, and information is degraded to a pastime,conventional photography invites discoveries, which means - in the actual sense of the word - not more and not less that a curtain is lifted and significant content becomes visible and recognizable.




































"The lights go off, a gleaming spot shortly swings above the audience then across the crowd illuminating a passage. At the entrance and on the two screens Helmut Kohl steps out of the flashes. The mountain chapel "Bergparade" does not intone Wagner's ride of the valkyries but dynamic swing.
Having climbed the Olymp, Kohl straightens up in front of the desk. Having become a monument on the fundament of his own achievements, in straight pose with immobile mimics, he takes in the ovation that don't seem to end."
see also the publications:
Choreography of Power in Leicaworld 1/2000, Project Talk about Zyklus "Macht und Ritual" in The Sonic Blog.

